Sunday, December 14, 2014

everything old is new again

US Vogue December 1993 - Linda Evangelista by Arthur Elgort

The more things change, the more they stay the same. Arthur Elgort is king.

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Saturday, November 29, 2014

hello saturday



Now, isn't this lovely? This is the weekend: eating cake in lingerie and a coat, cashmere and fresh sheets, lots of light, cups of tea and overalls. Hello Saturday, my old, old friend. You make the monday to friday all worthwhile.

X

Sunday, November 16, 2014

hotels

"Certain kinds of niceness are not easy to recover from because they so thoroughly destroy your appetite for the opposite. I mean, I love home comforts and I love being able to travel around, but two nights at Claridge’s, which I reached in 15 minutes by taxi from my house, were a very different order of bliss. And a large part of the joy comes from not having any of your stuff around you. That must sound perverse: Everybody wants his own desk and his own tin of pencils, his own aftershave, his own towels. But there are times in life, I’d argue, when those things are just part of the general oppression. Sure, you fought to have them; sure, you’d defend them with your life, or with life insurance; and, sure, if you woke up tomorrow and your books had gone you’d blub like a nostalgic baby. But freedom is a multifaceted jewel. A person can feel trapped in his choices, in his commitments, in his loyalties and in his taste, which is why a holiday in your own city can feel like such a relief. What I want is somebody else’s choices, perfect ones, and I get them every time I go through the revolving doors in Brook Street."

Andrew O'Hagan, 'A Hotel Room Of One's Own'


Andrew O'Hagan feels about Claridges the way I feel about The Park Hyatt. (Got this read from Ana's fantastic weekly list of links. Read them all. Now.)

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Saturday, November 15, 2014

be happy


Let's laugh this weekend. Listen to Blank Space. Watch Pride. Read Funny Girl. Go to the markets. Drink mojitos. Have fun.

X

Tuesday, November 11, 2014

ponsonby


These pictures remind me of our poky little apartment in Ponsonby, don't you think T? A funny little place, the walls were so thin, it was either too cold or too hot, but we loved it, because it had lots of light and it had the nicest little coffee shop on the street that sold hot cinnamon buns in the morning and sardines on toast a little bit later and it was close to the Karen Walker store and you could get a steaming bowl of Ramen just around the corner that would make you red in the face. There was a nice day on our little New Zealand holiday when, on an early morning trip to Good One, still in my pyjamas and wearing birkenstocks with thick woollen socks, the barista who had seen me every day for the past couple said to me, "so you've just moved to Ponsonby then?" And so much of me wanted to say yes. 

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Thursday, October 30, 2014

this is what a feminist looks like


It was a man who first taught me what feminism was. I was in second year at university and I thought I knew everything. I was taking my first ever gender studies course, which cross-listed with my English major (somehow), and which I thought, based on the text list, would be a semester spent discussing Virginia Woolf novels and Sylvia Plath poetry, but ended up being 13 weeks talking about all the ways that women have been well and truly screwed over by the literary, cinematic, historical, governmental, social - you name it - establishment since the dawn of time. I ended up learning a lot, because I went in cocky and self-assured (I'd read Mrs Dalloway before, well, when I say 'read', I mean, I had read The Hours), feeling pretty certain that this was an 'easy' subject I'd be able to coast my way through. It ended up being the worst mark I ever received at university. And all because I had no idea what feminism was when I started the course.

In the first tutorial our tutor - a shy, tweedy type (at Sydney Uni, where sandstone is a religion, we still have shy, tweedy tutors, although I hear they've been mostly outlawed elsewhere in Australia) with ill-advised sideburns - asked us what we thought feminism was. I smiled, look around to make sure no-one else was about to start speaking (I was one step away from shooting my hand up into the air a la Hermione Granger, old habits and all that), and launched into this pathetically rehearsed, schoolgirl idea of what a feminist was. I may have said something along the lines of "evangelistic feminism was particularly prevalent in the movement's early forms, it could even be called militant" (cringe). I didn't know what I was talking about. I had a head full of Germaine Greer and burning bras. I had an idea of feminism I had formed from watching one bad documentary in year 9 history class. Looking back, the books I was reading were all by men. Sure, Jane Austen isn't a man. But in second year uni I had my head full of Evelyn Waugh, P.G Wodehouse, E.M Forster, John Le Carre... Men who write a cracker of a story, men who know how to write about the stuff and the things and all that glitters, but who don't write (many) great female characters. This was before Joan, before Virginia, before Nora, before Hillary, before Donna, and yes, even before Nigela. 

My tutor - his name was Charles, which was just so perfect - coughed a little and smiled (shyly, tweedily) and did that very kind thing that tutors do, when they try and steer you in the right direction without humiliating you in front of all your classmates. "That's certainly one kind of feminism, yes," he said. "But what about all the others?" The others, I thought. There are more? "Would you call yourself a feminist?" He asked me. "No." I answered quickly. I was no Germaine Greer. (I hadn't even read a Germaine Greer book) (I hadn't really read any Virginia Woolf). "But do you believe that men and women should be equal?" "Yes" "And do you think your education is as important as mine?" "Yes, of course" "And do you think your opinion and voice is just as important as mine?" "Yes," I answered. "Well then," shy, tweedy Charles said, "sounds like you're a feminist to me." Was it really that simple? I have to say, in that cold classroom, that never stopped smelling ever so slightly of wet paper, even late in the year when autumn bled into summer and every day was what weathermen like to call 'scorchers', I wasn't convinced. It took me almost half the semester - and all of Orlando and A Room Of One's Own and a great deal of The Bell Jar - to convince me otherwise. I got a shocking mark in the final essay because, even though I had realised the implications of what feminism might meant to me, I still had a pretty shaky understanding of what it actually was. But it was the start of something. It was the start of something that never stopped being something, really.

When I saw the new Elle UK cover, fresh-faced Miss Watson, "this is what a feminist looks like", Benedict Cumberbatch on the turn, I couldn't help but think, god, I wish I had read magazines like Elle UK when I was younger. I wish there had been Emma Watsons (and maybe even Lena Dunhams) telling me on Twitter, on Instagram, in books, in the pages of magazines, how great it is to be a woman. Maybe I wouldn't have been so confused. I think back to the timing and, you know, the funny thing is, the very first Elle UK I ever bought - Alexa Chung on the cover, natch - was right at the end of that gender studies class. I remember being captivated, not just by the design - which is fantastic - or the fashion - which is fun - but the way it spoke to me, a young woman, trying to find her feet professionally and personally, with humour and wit and a knowing smile. "Been there, done that love," it seemed to say. "Let us help you." It didn't have the same strength and force of voice as it does now when it discussed feminism. But it was a magazine by women, for women, with features about work and money and sex and body politics and, yes, clothes, that celebrate rather than belittle or chastise you, the reader, a woman. That's real nice. And that's what feminism looks like.

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Monday, October 20, 2014

all black everything

Vogue Germany

Things that are big, too big, with slivers of gold and long skirts and messy, scrunched-up hair. So what else is new?

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Sunday, October 19, 2014

everything precious


In that cali state of mind... Been reading Anjelica Huston's memoir, been cooking a lot of mexican, been wanting to wear blue jeans and white tee shirts all the time, been listening to joni mitchell, been dipping my toes in the ocean. I like it.

X

Saturday, October 11, 2014

roksanda



Only meant to post a couple of images from this photo series, but couldn't help myself. I found Polly Brown's work through the New Yorker's Picture Desk, which highlights the best photographic work across the interwebs. And isn't this great? It reminds me of The Gentlewoman, all sharp angles and high contrast and bright, rich colours, dripping luxury, smelling of Bergamot oil. And also, strangely, the pictures made me all excited for summer - sun and salt and bottles of rose and silk and cool marble. Dreamy.

X

Tuesday, October 7, 2014

so glossy


All the cool girls love Glossier, so naturally, I wanna love it too. Anyway, what's not to love? Simple products that focus on skin (skin is in, haven't you heard?), pink accents, funky-ass stickers (!!!!!!) and that  inimitable cool as fuck thing that Into the Gloss has going on constantly. Like, seriously, I am a girl that never wears make up and rarely does anything to my skin, including cleanse (whatever, judge me as you will), but I want these products so damn bad I'm considering ordering through some dodgy mail forwarding service in order to get my hands on them. Gimme, gimme, gimme.

X

ps. Love girl number three EmRata as much as me? Well I interviewed her, you can read about it here